A place for me to journal and post pictures about my quilting adventures.

Saturday, August 18, 2012

Tuesday, August 7, 2012

Just Beachy–final? layout, almost, maybe

I can’t seem to include all of this layout in the picture. I’m leaning back over Black Bart as far as my back will bend (not far), but this is close.  I see one sashing I need to turn around near the black background large one – it will be lost when it is seamed. I already fixed the 3rd from the left top sashing so the light doesn’t blend into the light. The white around the large blocks will disappear when the seams are sewn. I could turn / rearrange these blocks forever. These colors aren't quite true tonight, but close. 

I had a rare day for this summer without DGKs that allowed me to make and trim 75 4-patches and put this up today. School starts here next Wednesday, but I’m pretty busy until September with all the dentist, doctor, etc. that comes around. Just Beachy will probably be up on the design wall for a while.  I hope you are having some fun as our summer draws to an end, but not the end of heat – 102F today in Kansas City, MO.
Happy Quilting,

Monday, August 6, 2012

Finishing Grandma Dunn’s quilts–6 pointed stars

One of the sets of unfinished blocks from my grandmother’s sewing area were these 6 pointed stars set with a hexagon in the middle. I think of them as star flowers. I don’t have early pictures of these, but they all had been set at some time, and then ripped apart, with a LOT of thread tails remaining in the fabric. They smelled like my mother’s house, which had been in Missouri’s 1993 flood up to her floorboards. I remember spreading out these blocks and using a lot of Febreeze on them. By the time I finished I hated the smell of Febreeze mixed with musty!

I remember taking them with me on one of my flights to see now DH in California. The flight is about 3 1/2  hours long, not counting the waiting time. I took a tape roller with me, and teased out all the threads. Grandma had a treadle machine, and sometimes it made really tiny stitches.

Grandma’s quilts were unique. She worked with the fabrics at hand, and if a quilt was for a specific person, she used scraps sent to her by that family. There were lots of us who sewed, so Grandma had paper sacks in her closet with the names of who sent the scraps on the outside of the bag. At times she must have tried to use up a lot of different fabrics, such as in this quilt. I’m sure that the pink fabric is from one of the first dresses I made for a friend in the very early 1960s. A lot of my scraps were pink. That one star of pink is the only fabric I recognize, so most of these came from other’s scraps.

The stars themselves varied from ones made from just one fabric, to ones where every star point was different. The inside hexagons differed in color, but all were made out of solids. In with the stars were a bunch of yellow 60 degree diamonds, all with the ripped out threads attached. I thought she had tried to use these as setting diamonds, without success. (They were cut wonky.)

I picked three fabrics, a yellow, a dark blue, and a vintage green, all prints that read solid at a distance, to use for setting diamonds. I began by setting in a diamond around each of the star points, making the blocks into hexagons.These were all done as Y seams, one at a time.  When I finished 18 of the 19 blocks, I realized there were not enough blocks to make any decent size of quilt.

One year for Christmas, about 1975, my mother gave me a large box for a present. In it were scraps of fabrics she had accumulated from her various friends that quilted. Most of the fabrics were older. We laughed that when someone died, my mother helped clean out their homes for sales, and scraps were not something anyone wanted, so she brought them home.

I now, in 2002, got out that box, separated the cotton scraps, and washed and ironed them all. I had been using a Marti Michell template to “square up” the star points of Grandma’s blocks, and to cut the setting diamonds. I used these templates to make the additional 14 stars plus 4 half stars out of these older fabrics. You can tell mine because the center hexagon is slightly larger, and all the centers are yellow. I tried to copy Grandma’s, making some out of one fabric, some out of two, and some where all the star points were different.

After making all the blocks, I then sewed the blocks to each other, making sure I had all three setting fabrics coming together at the intersections. Each “corner” was  Y seams. I never figured out a way to set them easily, even though I scoured all my quilting books for an easier method.

As I cut out the blocks, I cut additional diamonds of some of the fabrics. These were used for the borders. If I had known as much as I do now that I have a longarm, I would have sewed a stay-stitch line on the outside of the borders. I had it quilted at the local quilt shop in a meander pantograph with fluffy poly batting. Grandma’s blocks weren’t exactly flat, and the poly helped with the fullness in some places.
There was one star left over that was very wonky, and the only one made of solid fabric star points. I decided to disassemble it, recut and re-sew it. Since it was a solid, I wrote the story of the quilt on it, and used it as a label on the back. It was finished in 2002, and I gave it to my daughter at one of her bridal showers. We recently brought some of her quilts to my house so I could take pictures and document them.

One less UFO to finish!

Happy Quilting,